Reflecting on 20 years of Arts Advocacy

By: Michael Alexander, founding Board Chair and Vince Vicari, Communications Manager

Arts for LA (AFLA) began in 2006 with a group of arts leaders who had met informally for years to discuss and address the Los Angeles region’s most pressing arts issues. Back then, the advocacy effort was a small but stable volunteer-led group of arts activists from all over the region that organized lunch meetings with elected officials and gathered to discuss public arts policy. Recognizing that gap in support for the LA arts sector, AFLA officially established itself as a voice for the arts in Los Angeles County that informs, engages, and mobilizes individuals and organizations to advocate for access to the arts across all communities.

One of AFLA’s earliest shows of advocacy was successfully protecting $5M in arts education funding for the Los Angeles Unified School District (LAUSD) from being cut. Since that time, AFLA has expanded its reach and deepened its roots in neighborhoods and school districts across Los Angeles County with influential arts leaders at the forefront.

Danielle Brazelle, current Executive Director of the California Arts Council, was the founding Executive Director of Arts for LA from 2006 to 2014. When things were just getting started, her first office was a small space provided by Grand Performances LA! Danielle effectively built off of the work happening by volunteers at the time, focusing on budget advocacy and protecting resources for schools and arts organizations. She was hired by the Board of Arts for LA and, with their considerable investment in her success, she was able to create an infrastructure that continues to serve AFLA to this day.

Our work has been built on the minds and ideas of many people and organizations whose guidance and insight shaped the work we do for the arts today, including (but not limited to) Jerry Yoshitomi, Jim Rosser, Charles Dillingham, Laura Zucker, Al Nodal, Leni Boorstein, Charmaine Jefferson, Irene Hirano, Jessica Cusick, Terrence McFarland, Deborah Padilla, Joanne Hale, and Michael Alexander.

During its second decade of existence – and then led by the second Executive Director, Sofia Klazker – AFLA began providing opportunities in leadership development. This initiative sparked growing networks of civically-engaged advocates, built deep relationships with elected officials, and worked in partnership across sectors to make Los Angeles a vibrant, prosperous, creative, and healthy society.

All that effort led to ACTIVATE – Arts for LA’s free, premier advocacy training and leadership development program in LA County. Started by Sofia and Cristina Pacheco in 2014, the ACTIVATE program has since trained over 700 individuals with the skills, knowledge, and resources to effect change in their communities as well as the greater Los Angeles arts and culture sector. In 2025 we celebrated 10 years of ACTIVATE with an alumni reunion consisting of past program participants, arts leaders, and visionaries who helped shape ACTIVATE’s successful curriculum.

Sofia then grew the ACTIVATE program with the support of Jennifer Fukutomi-Jones and Abril Iñiguez-Rivas, cultivating a generation of leaders. She was the visionary behind advocating that arts and culture centers serve as voting centers in the LA region, and her team led regionwide Get Out the Vote (GOTV) efforts. She also expanded Arts for LA’s Arts Day into Arts Month, which is now how the State of California, Arts for LA and regions across the state activate our advocacy communities – all month long.

Recognizing the continued need in the LA County arts, culture and entertainment ecosystem to convene artists, culture workers and advocates, Arts for LA launched its State of the Arts Summit (rebranding the Convergence convening) in 2019 as a way to gather LA’s creative community to reflect, connect, and rise to action on a yearly basis. Attendance to the Summit has grown by the hundreds over the years; this October 22, we’re anticipating over 500 attendees.

In 2021, AFLA launched the Creative Jobs Collective (CJC) to address a need for a just economic recovery plan for the arts and cultural sector. Significant pandemic job losses and existing inequities in the sector inspired CJC’s core values and goals. This cross-sectoral initiative works to build 10,000 living wage creative jobs for underrepresented communities in LA County by 2030. It is imperative that we invest in the creative workers who make LA the arts and cultural capital of the world. In 2026 we released our CJC Employer Toolkit which is a first-of-its kind resource in LA County that provides recommendations for living wages, hiring and employment practices in the creative economy.

No matter what the challenge, the arts and culture sector has maintained its footing in the region with creativity, adaptability, and unity. Arts for LA seeks to uphold all of those aspects with its mission of building a thriving and equitable arts, culture, and entertainment ecosystem in Los Angeles County through advocacy, direct services, connecting communities, and building power.

As Arts for LA celebrates its 20th anniversary, we have immense gratitude for the staff, Board Members, funders, members, and partners who continue to uplift our work. With the Olympic and Paralympic games two years away, we remain united in our fight for the arts to be seen as essential to LA’s DNA.

We continue into our next chapter, Building Power Where Creativity Lives.

Reframing Creative Economy Advocacy

Dear Arts Advocates,

I recently had the opportunity to speak on a Creative Economy panel hosted by the Federal Reserve Bank of New York and Creatives Rebuild New York (CRNY). 

The program focused on how the creative community and its workforce can drive a healthy economy across New York State and the nation. It was an inspiring day filled with the thought leadership of visionaries like David Erickson from the Federal Reserve Bank of New York, Dr. Maria Rosario Jackson, former Chair of the National Endowment for the Arts, and Sarah Calderon, Executive Director of CRNY. The event was a clear reminder on why centering the artist and the creative worker is so important when talking about the creative economy.

As I reflect on the event and the profound words of the artists and community leaders, below are a few post event reflections to share.

CURRENT CREATIVE ECONOMY ADVOCACY HOPES FOR A TRICKLE DOWN EFFECT

The dominant strategy for creative economy (CE) advocates is fundamentally trickle down economics. We advocate to fund institutions by highlighting our industry’s outsized economic impact to the overall economy. We assume that those resources will trickle down to benefit the people (artists, culture bearers and creative workers). It generally does not. Creative worker protests prevail across the nation i.e. LA MOCA, Seattle Art Museum, Mass MOCA, Victoria Gardens Theater in Chicago, Guggenheim, and the 2023 writer’s strike are recent proof. The advocacy strategy is not benefitting the people because it’s not aiming to do that. 

This trickle down strategy, paired with incomplete data on our field and its workforce, is hurting systemic change efforts.

DATA BLIND SPOTS

Current CE data has big blind spots that limit our view of the field. In California, our data reports do a good job of measuring the number of jobs, institutions, and wages, but the data does not disaggregate to clearly understand the nonprofit sector experience. Aggregating entertainment industry and nonprofit sector wage data grossly skews the wage data reporting for the nonprofit sector. For example, the Creative Economy Dashboard on the OTIS College of Art and Design website reports that the average annual wage for a job in Los Angeles is $153,501. Furthermore, the wages of the independent contractor and gig worker (which represents approximately 50% of our creative workforce) is not captured in the current data sets. Leading researchers like CVL Economics are working to fill these data gaps, and there is still a need for a national survey on how artists piece together sustainable livelihoods.

A DOUBLE-EDGED SWORD

As CE advocates, we strive to make the strongest case to elected officials and private philanthropy that they should invest in the creative economy. We often cite data points that illustrate how these jobs are high-demand, high-paying jobs. This is a more compelling case than arguing that creative economy jobs are high-demand, low-paying jobs. The problem is that both of these statements are true. And as advocates, we often utilize the aggregated data because that is what is currently available to us.

Many creative economy workers start their careers at local arts and culture nonprofits, who often struggle with paying their workers living wages because they are challenged to fund their organization.

In response, advocates tend to focus their advocacy efforts on capitalizing the institutions. This trickle down economics advocacy strategy is a double-edged sword; it both helps and hurts us, and it’s time for CE advocates to reframe our advocacy strategy.

BOLD STRATEGIES CENTER THE CREATIVE WORKFORCE

We need bold strategies that center the workforce, focusing on expanding economic opportunity (i.e. living wages, benefits and safety nets) for artists and creative workers. Doing so will directly address the financial sustainability people need, while broadening the advocacy base from executive directors and government relations professionals to creative workers writ large. Reframing our advocacy will not preclude us from funding opportunities for institutions, and the new framing will better align with today’s political and economic climate.

One thing is foreseeable at this time of head-spinning change in our country — we need to both broaden our advocacy base and get louder to ensure both our artists and creative workers have economic mobility, and institutions have sufficient public and private funding to continue to contribute to U.S. economic growth and global competitiveness.

THE FUTURE OF CREATIVE ECONOMY / JOBS

Local initiatives like Arts for LA’s Creative Jobs Collective (CJC) — a cross-sector initiative begun in 2021 to pathway 10,000 people into the creative economy by the year 2030 — leads with the vision of centering the creative worker in cross-sectoral policy development. The policy platform for the initiative promotes economic growth and regional competitiveness. 

Similarly, the California Arts Council’s Creative Economy Workgroup (of which Arts for LA is a member) is developing a strategic plan for the Creative Economy of California. Key action areas (see page 29), include: improving, securing and stabilizing the infrastructure for creative economy workers, financial incentives for creative businesses and individuals to grow, clear pathways from education to jobs, and creative financing to arts funding among other actions. Californians for the Arts (our state advocacy organization) continues to center the creative workforce in all of their advocacy, including in their “Art Work is Real Work” campaign. 

As we look to the future, Arts for LA is proud to be in national conversations with the National Arts Policy Alliance which aims to organize and mobilize creative workers in partnership with other justice movements to win economic security for all.

The future of Creative Economy Advocacy centers the artist and creative worker, and in doing so we will build a healthier local and national economy.

#CreativeJobsCollective #CreativeFutures #ArtWorkisRealWork

Onward,

Gustavo Herrera, CEO of Arts for LA

Wildfire Resources Available to You

UPDATE as of January 24, 2025: Please visit our Wildfire Relief page for access to a continuously-updated spreadsheet of resources for artists and creative workers impacted by the fire, as well as a form for organizations to submit the aid and resources they are able to provide.

Dear Arts for LA Community Members,

We hope you and your loved ones are safe.

There have been 180,000 evacuations (and growing) across LA County over the last 48 hours due to the wildfires. Entire neighborhoods in the Pacific Palisades, Altadena, Pasadena, Sepulveda Basin, Sylmar and the Hollywood Hills are gone. All schools in the LA Unified School District are closed. Businesses and cultural institutions have been entirely destroyed by the ongoing fires. This is the most destructive fire in LA history. 

Los Angeles, our hearts are with you, especially those who lost loved ones, lost homes or were displaced during this crisis. We also recognize all of the first responders who are at this very moment fighting these fires, and helping people to safety no matter how dangerous it might be. This is one of those moments where we must come together as one community to take care of one another with small and big actions alike. 

Below are resources that we hope will help you or can be forwarded to help your loved ones:

  • If you have been displaced and are seeking temporary housing, you can go here
  • Emergency Relief Grants for craft artists available via CERF+ here
  • You can register for LA County Emergency Alerts here
  • For a trusted and locally based guide to LA Services, you can go here
  • LA Unified School District Updates and meal distribution for LAUSD Students here
  • A list of entertainment industry resources from Entertainment Community Fund here
  • For resources pertaining to evacuation, housing, food, air quality, clean up, mental health, legal aid, and other issues, go here.
  • Mutual Aid LA’s List for a region-wide list of resources here
  • You can find donation drop-off locations across LA to support families here 
  • If you are able to, make a financial contribution to Wildfire Relief efforts here
  • If you are able to, support local American Red Cross Disaster Relief efforts here

To local artists and leaders of our local cultural institutions: if you have been impacted, please contact us so that we will know the impact this crisis is having on our local arts ecosystem and so that Arts for LA can be a connector to others that can help.

We recognize that recovery from natural disasters can take years. Let us come together now and strengthen one another in this time of great need. 

In Solidarity,

Arts for LA Board and Staff